Creative writings we commissioned on our titles
Not a Healthy Model: Sorayos Prapapan’s Arnold is a Model Student
Critic and curator Ren Scateni delves into Sorayos Prapapan's debut feature Arnold is a Model Student, which premiered at Locarno 2022.
A Thousand Fires
Herb Shellenberger writes about Saeed Taji Farouky's A Thousand Fires, complementing its UK cinema release in November 2022.
Savina Petkova on A Woman Escapes by Sofia Bohdanowicz, Burak Çevik, and Blake Williams
Window Boy Would also Like to Have a Submarine
Ava Cahen writes about Alex Piperno's feature, now available to watch on Mubi.
The Eyes Which See Reality
Four short films with non-human perspectives.
A Night of Knowing Nothing
Ruth Gilbert discussed the poetics and defiance of Payal Kapadia's documentary feature.
Cruising Oblivion: Tim Leyendekker’s Feast
Mood boards or other image collections dealing with our films
Sierra: Storyboards & Sketches
A small inside into the creation process of Sierra
A Night of Knowing Nothing: Picture Essay
Director Payal Kapadia shares a visual essay complementing her documentary A Night of Knowing Nothing.
Feast: Mood Board
A selection of images and excerpts from Feast's mood board and scenario.
Writing that has been done on other platforms about Square Eyes titles
A reading list from the research of Home Invasion.
Lawrence Abu Hamdan on 45th Parallel
An interview about the thematics and concepts of the short film 45th Parallel
Unstable Objects: FIDMarseille 2022
“The following is a story that is somewhat true” reads the handwritten title card that opens A Woman Escapes, one of the standout features at this year’s FIDMarseille.
Afterwater - this must be underwater love
A submerged text about Dane Komljen’s AFTERWATER
Europe - Wayward Fictions
Is it possible for narrative to reveal more about our lived reality than documentary?
Academic, Critic, and Curator Maria Delgado writes about Eduardo Crespo's feature documentary for the Frames of Representation programme.