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Creative writings we commissioned on our titles
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Not a Healthy Model: Sorayos Prapapan’s Arnold is a Model Student

Critic and curator Ren Scateni delves into Sorayos Prapapan's debut feature Arnold is a Model Student, which premiered at Locarno 2022.
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A Thousand Fires

Herb Shellenberger writes about Saeed Taji Farouky's A Thousand Fires, complementing its UK cinema release in November 2022.
Square Eyes - Journal_awomancover

Dear Grief,...

Savina Petkova on A Woman Escapes by Sofia Bohdanowicz, Burak Çevik, and Blake Williams
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Window Boy Would also Like to Have a Submarine

Ava Cahen writes about Alex Piperno's feature, now available to watch on Mubi.
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The Eyes Which See Reality

Four short films with non-human perspectives.
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A Night of Knowing Nothing

Ruth Gilbert discussed the poetics and defiance of Payal Kapadia's documentary feature.
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Cruising Oblivion: Tim Leyendekker’s Feast

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Mood boards or other image collections dealing with our films
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Sierra: Storyboards & Sketches

A small inside into the creation process of Sierra
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A Night of Knowing Nothing: Picture Essay

Director Payal Kapadia shares a visual essay complementing her documentary A Night of Knowing Nothing. 
Square Eyes - Feast journal

Feast: Mood Board

A selection of images and excerpts from Feast's mood board and scenario.
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Writing that has been done on other platforms about Square Eyes titles
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Book recommendations

A reading list from the research of Home Invasion.
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Lawrence Abu Hamdan on 45th Parallel

An interview about the thematics and concepts of the short film 45th Parallel
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Unstable Objects: FIDMarseille 2022

“The following is a story that is somewhat true” reads the handwritten title card that opens A Woman Escapes, one of the standout features at this year’s FIDMarseille.
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Afterwater - this must be underwater love

A submerged text about Dane Komljen’s AFTERWATER
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Europe - Wayward Fictions

Is it possible for narrative to reveal more about our lived reality than documentary?
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The Delights

Academic, Critic, and Curator Maria Delgado writes about Eduardo Crespo's feature documentary for the Frames of Representation programme.