“a work that uniquely stitches together poetry, silence, fragments, and multiple layers of images to explore the feminine universe within a space of struggle and resistance. Through a sharp political and cultural critique, the film breaks traditional narrative conventions, using absence as a means of contestation and transformation, revealing tensions between tradition and oppression.”
Best Experimental Film – Curtas Vila do Conde ’25
“This kaleidoscopic swirl of images and archival footage, echoing the spirit of great Iranian cinema, mesmerized us and drew us deep into the haunting story of struggle of the ongoing fight of Iranian women. Maryam Tafakory brings this narrative to life in a deeply original and inventive way, affirming her place as one of the most distinctive and powerful voices in contemporary cinema.”
Special Mention – Uppsala ’25
“How to depict what is forbidden in official representations? In her sensuous and poetic montage of fragments from Iranian cinema, Maryam Tafakory creates a counter-archive that lays bare the hidden desires of women in Iran, as well as their brutal suppression, sedation and erasure, through the condensation of gestures and glances. The film’s dense, hallucinatory, tender, and tactile texture artfully interweaves the internalisation of violence and censorship with the externalisation of repressed emotions and realities, creating a sensory experience.”
Special Mention – EMAF ’26