A Move

a film by

UK, Iran | 27' | 04/2024 | documentary

Elahe returns to her hometown in Mashhad, Iran, to help her parents move to a new place after 40 years. Influenced by the Woman-Life-Freedom movement, she's also hoping for a bigger move beyond just a new apartment.

Square Eyes - CROPPEDLauriers-202431
Square Eyes - CROPPEDLauriers-202431

Elahe Esmaili

Biography

Award winning documentary filmmaker. MA graduate in Directing, National Film and Television School, UK. BA Alumna from Tehran University of Art, Iran. Elahe’s first film, The Doll (2021), was awarded Best International Short at Hot Docs 2021 and nominated and selected for prestigious awards like Critics Choice Awards, International Documentary Association (IDA), Student Academy Awards as well as more than 50 other festivals including Full Frame Documentary FF, Atlanta FF, Athens IFVF. Her second short Can I Hug You? premiered in Sheffield Docs 2023 and was supported by IDA and One World Media, and co-produced by German public broadcaster DW.
In general, Elahe concerns herself with children’s and women’s rights and issues around it, as well as stories about successful women in the world who push boundaries and overcome these issues.

Filmography

  • The Doll – 2021 – short student documentary
  • Can I Hug You – 2023 – short documentary
  • A Move – 2024 – short documentary
Square Eyes -

Crew

Director: Elahe Esmaili
Writing: Elahe Esmaili
Producer: Hossein Behboudi Rad
Image: Mehdi Azadi
Sound Design: Ensieh Leyla Maleki
Sound Recordist: Anonymous
Colorist: Anonymous
Editor: Delaram Shemirani
Composer: Afshin Azizi

Festivals

  • Visions du Réel – International Film Festival, Switzerland (12 – 21 April, 2024)
    International Medium Length & Short Film Competition

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Press materials

EPK: Coming soon

Stills & directors photos: Click here

Dialogue list English: Click here

Embeddable trailer: Vimeo & Youtube

Downloadable excerpts & trailer: Click here

Press quotes

“A Move takes a step back, bringing the topic of women’s freedom back home and looking at it through a lens of friends and family. It captures the necessity of these conversations on the smaller scale, helping those close to you understand the importance of having choices and how bowing to please others undermines that.”