Rising up at night

A film by

DR Congo, Belgium, Germany, Burkina Faso, Qatar / 95' / 02/2024 / documentary

Kinshasa and its inhabitants are in darkness. They wait and struggle to get access to light. Between hope, disappointment and religious faith, Tongo Saa is a subtle and fragmented portrait of a population that, despite the challenges, is sublimated by the beauty of Kinshasa's nights.

“a film which rises to the challenge of filming darkness, without ever losing sight of the daily resistance and resourcefulness of a population facing a truly difficult situation”
Square Eyes - 74_IFB_Panorama_bw
Square Eyes - CROPPED-Lauriers-20249
“a film which rises to the challenge of filming darkness, without ever losing sight of the daily resistance and resourcefulness of a population facing a truly difficult situation”
Square Eyes - 74_IFB_Panorama_bw
Square Eyes - CROPPED-Lauriers-20249

Nelson Makengo

Biography

Nelson Makengo is a filmmaker whose work oscillates between contemporary art and film. His latest film Up at Night (Best Short IDFA 2019) has screened at over 100 festivals worldwide and has been nominated by the BFI as one of the 350 best films of 2020. E’ville (2018) won the Sharjah Art Foundation Award at the Videobrasil Biennale in 2019. In recent years, Nelson Makengo has collaborated as a director with Al Jazeera and Meta, has been a jury member of several festivals and is a Sundance Documentary Film Institute and Doha Film Institute Fellow. Tongo Saa (Rising up at night) is his first feature documentary.

Filmography

• Rising up at night (2024) – feature
• Up at Night (2019) – short documentary
• E’ville (2018) – short documentary
• Tabu (2016), short documentary
• Souvenir d’un été (2017), short documentary
• Théâtre Urbain (Urban Theater) (2017), short documentary

Square Eyes -

Crew

Director: Nelson Makengo
Screenplay: Nelson Makengo
Producer: Rosa Spaliviero, Dada Kahindo Siku
Production companies: Twenty Nine Studio & Production, Mutotu Productions
Co-producers:
Film Five: Florian Schewe
Diam Production: Michel K. Zongo
Auguste Orts: Marie Logie, Catherine Plenevaux
Magellan Films: Samuel Feller
RTBF: Isabelle Christiaens
Florian Schewe, Michel K. Zongo, Marie Logie, Samuel Feller, Isabelle Christiaens
Image: Nelson Makengo
Sound Design: Franck Moka
Sound Recording: Moimi Wezam
Sound Editing: Laszlo Umbreit
Sound Mix: Rémi Gerard
Editor: Inneke Van Waeyenberghe
Color: Miléna Trivier
Composer: Bao Sissoko, Wouter Vandenabeele

Festivals

  • Berlinale, Germany (15 – 25 February, 2024)
    Panorama
  • Visions du Réel – International Film Festival Nyon, Switzerland (12 – 21 April, 2024)
    International Competition Won: Special Jury Award
  • HotDocs – Canadian International Documentary Festival, Canada (25 April – 5 May, 2024)
    World Showcase
  • STLOUIS’DOCS, Senegal (30 April – 4 May, 2024)
    International Competition
  • DOXA Documentary Film Festival, Canada (2 – 12 May, 2024)
    The Devil Stole Our Laughter
  • Margaret Mead Film Festival, United States (9 – 12 May, 2024)
    Competition for the Margaret Mead Filmmaker Award + Audience Award
  • Seattle International Film Festival, United States (9 – 19 May, 2024)
    African Pictures
  • Docs Against Gravity Film Festival, Poland (10 – 19 May, 2024)
    Competition for First Appearance Award
  • Kunstenfestivaldesarts, Belgium (10 May – 1 June, 2024)
    Official Selection
  • Beldocs International Documentary Film Festival, Serbia (22 – 29 May, 2024)
    International Competition
  • IndieLisboa International Film Festival, Portugal (23 May – 2 June, 2024)
    International Competition Won: Feature Film Grand Prize City of Lisbon & TV Cine Special Award
  • Festival du Film Européen de Kinshasa, Democratic Republic of the Congo (1 – 8 June, 2024)
    Official Selection
  • Guadalajara International Film Festival, Mexico (7 – 15 June, 2024)
    Official Selection, Socio-Environmental Competition Special Mention Social Environmental Cinema
  • Ishango Encounters, Democratic Republic of the Congo (20 – 30 June, 2024)
    Official Selection
  • Durban International Film Festival, South Africa (18 – 28 July, 2024)
    Competition for Best Documentary
  • BlackStar Film Festival, United States (1 – 4 August, 2024)
    Official Selection
  • Festival International du Film du Togo, Togo (3 – 10 August, 2024)
    Official Competition
  • Festival cinémas d’Afrique Lausanne, Switzerland (15 – 18 August, 2024)
    Official Selection
  • Rockaway Film Festival, United States (17 – 25 August, 2024)
    Official Selection
  • FICPBA – Int. Film Festival of the Province of Buenos Aires, Argentina (2 – 10 September, 2024)
    International Documentary Feature Film Competition
  • Camden International Film Festival, United States (14 – 17 September, 2024)
    Official Selection

Password




Press materials

EPK: Click here

Stills, poster & directors photos: Click here

Dialogue list in English & French: Click here

Teaser: Vimeo

Downloadable excerpts and teaser: Click here

Social Media:

Director:
https://www.instagram.com/nelsonmakengo/
https://www.facebook.com/nelson.makengo.7

Producers:
instagram.com/twentyninestudioproduction/
instagram.com/film.five/
instagram.com/augusteorts/
instagram.com/magellanfilms/

facebook.com/twentyninestudioproduction
facebook.com/diamproductionbf
facebook.com/film.five.gmbh
facebook.com/AugusteOrts/
facebook.com/magellanfilms.be/

Press quotes

“a film which rises to the challenge of filming darkness, without ever losing sight of the daily resistance and resourcefulness of a population facing a truly difficult situation”
Jury statement – Visions du Reel ’24

“an almost ethereal experience through editing, gorgeous cinematography and an intuitive, haunting score.”
Review: Nicole Santé – Business Doc Europe

“a formally bold approach that captures the uneasy sense of unseen dangers”
Review: Wendy Ide – Screendaily

“beautifully shot and observed documentary ‘Rising Up at Night’ captures the darkness of Kinshasa along with the resilience of its people.”
Review: Adham Youssef – The Film Verdict

“It constitutes the living and powerful portrait of a community standing, exhausted, in the dark, doing the best in a doubly submerged world – under water or in the twilight.”
Review: Nicolas Bardot – Le Polyester

“a profound look at the human will to thrive under challenging conditions”
Review: Chris Jones – Overly Honest Reviews

“a nuanced portrayal of a city marked by inequity and violence, yet captured with the hypnotic beauty of Kinshasa at night”
Review: Abdul Latif – Film Fest Report