Revolutionaries Never Die

a film by

Palestine, Belgium, Qatar | 80' | 08/2026 | documentary

Seeking to decode a final, unanswered invitation, a filmmaker explores why the renowned Lebanese director Jocelyne Saab reached out for a collaboration just two months before her passing. Since his reply can never reach her, the film transforms into a lyrical expedition through the life, political commitments, and artistic vision of a singular voice from the era of revolution.

“Yaqubi’s own work, implicitly influenced by Saab’s perspective, explores the intersection of archives, solidarity, and cinema.”
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“Yaqubi’s own work, implicitly influenced by Saab’s perspective, explores the intersection of archives, solidarity, and cinema.”
Square Eyes - CDP-POS-RGB
Square Eyes - CIFF26-laurels-official selection-black
Square Eyes - LFF 2026 LAURELS_OFFICIAL SELECTION_POS_300dpi

Mohanad Yaqubi

Biography

Mohanad Yaqubi is a filmmaker, producer, and one of the founders of Idioms Film, an arthouse production based in Ramallah since 2004. He is also a member of Subversive Film, a curatorial collective focused on researching and redistributing militant cinema from Palestine and beyond. Since 2017, he has been a lecturer and researcher at KASK School of the Arts in Ghent.
With a background in mechanical engineering and a Master’s in Feature Films from Goldsmith University, London, Mohanad’s research explores archival practices within transnational solidarity movements. His work examines the politics, aesthetics, and cinema, while also considering imperfect archives as a way to connect living memories. His first film, *Off Frame AKA Revolution Until Victory* (2016), premiered at Toronto IFF, Berlinale, Cinéma du réel, Dubai IFF, and Carthage, among numerous other international premieres and screenings. His second feature, *R21 AKA Restoring Solidarity* (2022), debuted at Documenta 15, IDFA, Marrakesh FF, True/False, and Melbourne IFF, among others.

Filmography

  • R21 AKA Restoring Solidarity, feature documentary, 2022
  • Off Frame AKA Revolution Until Victory, mid-length documentary, 2016
  • No Exit, Short fiction, 2013
  • Insomnia, short film documentary, 2005
  • Carnaval, short documentary, 2004
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Crew

Director: Mohanad Yaqubi
Writer: Mohanad Yaqubi & Mathilde Rouxel
Story Consultant: Elhum Shakerifar, Casey Asprooth-Jackson
Producer: Sami Saeed
Production Company: Idioms Film
Co-producer: Michel Khleifi, Vincent Stroep, Ulrike Lindmayr
Co-production Company: Sourat Films, Escautville
Executive Producer: Mohamad Jabaly (Palartic), Elhum Shakerifar (Hakawati)
Associate Producer: Rita Maria Habib
Post-production Producer: Casey Asprooth-Jackson
Cinematography: Hassan Naamani, Gérard Simon, Jocelyne Saab, Olivier Guéneau
Sound Design: Raf Enckels
Sound Mixing: Raf Enckels
Editor: Elettra Bisogno, Mohanad Yaqubi, Rita Maria Habib
Grading: Lennert De Taeye
Title design: Joris Kritis
Voices: Mohanad Yaqubi, Jocelyne Saab

Festivals

  • Locarno Film Festival, Switzerland (5 – 15 August, 2026) World Premiere
    Concorso Cineasti del Presente

Password




Press materials

EPK: Click here

Stills, poster & directors photos: Click here

English subtitles: Click here

Embeddable trailer: Vimeo & Youtube

Downloadable excerpts & trailer: Click here

SOCIAL MEDIA:
@mohanadyaqubi
@escautville

Press quotes

“a profound exploration of the independent Arab filmmaker’s remarkable archives”
IndieWire’s five must-see movies at Locarno

“Yaqubi’s superb new documentary”
Festival Dispatch: Imogen Sara Smith – Film Comment

“He is not simply restoring Saab’s images; he is discovering that he has already lived inside them.”
Review: Nataliia Serebriakova – DMovies

“a lyrical journey through the life, political activism and artistic vision of a unique voice from a revolutionary era”
Review: Lida Back – Moviebreak

“As soon as Revolutionaries Never Die opens it builds an incredibly strong presence, it holds wise and meditative qualities and quickly absorbs you into the documentary.”
Review: FilmCarnage

“Revolutionaries Never Die reactivates Saab’s perspective, conveying the memories of those she films as a mirror to the present; and the feature film, as its title promises, confirms that Jocelyne Saab never truly died.”
Review: Nicolas Bardot – Le Polyester

“Yaqubi’s own work, implicitly influenced by Saab’s perspective, explores the intersection of archives, solidarity, and cinema.”
Review: Poli-K

“It’s a profoundly moving, sobering paean to extraordinary resilience of people who’ve been battered again and again yet mine strength and purpose to power through.”
Review: Debanjan Dhar – Outlook

“Yaqubi constructed an undetermined biopic, utilizing archival footage from the camera of Saab. What’s a more honoring way to spotlight someone’s life work if not by staying with it, and making space for it to awaken and breathe for a final short while?”
Review: Sofia Topi – The People’s Movies

“Yaqubi will gently intervene when necessary to move from one of Saab’s films to another, referencing his deepening interest as his own plight as a Palestinian for additional resonance when it makes the historical context she can provide invaluable as both a prediction and a parallel, but with some skillful editing alongside Elettra Bisogno and Rita Maria Habib, the director wisely lets the reverberant power of Saab’s archive to stand on its own when words can’t do justice to describe all she captured.”
Review: Stephen Saito – The Moveable Fest

“a powerful act of remembrance and transmission: carrying Saab’s legacy forward and allowing the singular, deeply human force of her work to resonate once again today.”
Interview: Aurelie Geron – Film Fest Report

Interview: Georg Szalai – The Hollywood Reporter

Interview: Nick Cunningham – Business Doc Europe

Interview: Lujain Benatia – Dazed Mena