“Because its subject is vertiginous, because its formal approach is masterful, a radical gesture that makes the off-screen come to life and shows us only the details, the blurred image, the stolen pixels. Narrative and set-up are at the service of the witnesses. The director puts us side by side with the incarcerated women, without passing any judgment on their value, and this is a prowess of cinema’s poetic license”
Jury statement – Settimana Internazionale della Critica ’23
“Malqueridas is so full of incident and emotion that it could be a Charles Dickens novel, but these are real people. The film gives a face and voice to the unseen, allowing the viewer to glimpse the humanity of the inmates and care about all the heartbreak they endure.”
“…weaves together a tapestry of heartache, hope and harsh reality.”
“…the emotional impact is clear and sharply focused.”
Review: Allan Hunter – Screen International
“Gilbert to collate a view of this world that is more intimate, and prisoner-led, than what is usually depicted in movies about jail life.”
“The standard, moralising condemnation that prisoners have willfully abandoned their children by breaking the law is here rejected in favour of a much more nuanced, sensitive POV of deep empathy and awareness of wider, brutal socio-economic forces at play. Jail time for these mothers means not only the deprivation of freedom in literal terms, but also a loss of human connection, influence and control.”
Review: Carmen Gray – The Film Verdict
“an anthem of human, maternal, cinematographic resistance”
Review: Antonio Maiorino – Taxidrivers
“The strength of Malqueridas lies right on the boundary between vision and blindness, the same that separates forced isolation from the idea of a city.”
Michele Faggi, Indie-Eye Cinema
“Tana Gilbert has signed a work of annihilating and aching beauty, which manages to become even utopian; among the first works seen at the Venice Lido one of the most convincing, and courageous.”
Review: Raffaele Meale – Quinlan
“Tana Gilbert’s documentary Malqueridas, about incarcerated mothers in Chile, is an example of Sisterhood’s formidable strengths.”
Review: Kees Driessen – Business Doc Europe