“Dane Komljen’s spectral and shape-lifting landscape of bodies and the paranoia of uncertain identity is a mesmerising, unsettling gem.”
“a poetic, unrushed but endlessly surprising vision, which operates according to a certain dream logic of echoing images rather than a traditional plot”
“This is not a film to understand in any conventional sense, but rather, to feel and experience.”
Review: Carmen Gray – The Film Verdict
“Slow cinema is difficult, but when done well it can be enchanting. Desire Lines is one of the enchanting ones. Whether the forest Branko walks though can enchant everybody is debatable, but those attuned to its unique tone and contemplative approach to cinema will find a surefire masterpiece in Komljen’s latest and strongest film. It is one to ponder and an invitation to be open to other people’s interpretation; a definitive explanation of its intent will never be reached, but that is not what Komljen’s cinema is about. The transcendence of Desire Lines is the key, defying the logic of our world.”
Review: Marc van de Klashorst – Internatonal Cinephile Society
“a subliminally perceptive work, inviting us to erase all divides. A key line muttered by one of the women seems to crack open the film: “Stories can enter you faster or slower”. How are stories born and transmitted?”
“The expansive generosity that lights it holds directions for us all.”
Review: Debanjan Dhar – High on Films
“Desire Lines might be his most accessible and accomplished to date, purely based on the strength of the imagery, the universality of its themes and the associative connections between its disparate, but oddly homogenous, parts”
“One could argue that Komljen borrows from Lynch, especially in tackling trauma, the uncertainty of identity and the unreliability of memory, or from Cronenberg in the purely visceral sense, but these themes and, especially, the tactility of the body have long been part of his oddly authentic cinematic language.”
Review: Vladan Petkovic – Cineuropa
“It is a continuous game—with psychological and social nuances—in which persistent questions are as much a part of the text as they are of the way in which the film’s certainties are built up and then destroyed.”
Review: Matheus José – VHS Cut
” Between magnetism and aridity, filmmaker Dane Komljen only half reaches out to his audience, but at least he is not afraid to take risks. Patience is rewarded here with fleeting but powerful visions where bodies, eras, and dimensions themselves seem to overlap in a mirage.”
Review: Gregory Coutaur – Le Polyester
Feature: Dane Komljen on His Freewheeling, Utopian ‘Desire Lines’ and ‘Slipping Into a Different Mold’ in the Locarno Main Competition Title – Variety
Interview: Dane Komljen • Director of Desire Lines – Cineuropa