Square Eyes - Desired lines - still 01

Desire Lines

a film by

Serbia, Bosnia-Herzegovina, Netherlands, Croatia, Germany | 106' | 08/2025 | fiction

Branko dwells on the fringes of Belgrade society. Unable to sleep and isolated, he speaks to no one. His only obsession seems to be his younger brother, whose muddy shoes, bloodstained sheets, and murky whereabouts unsettle him. Making his way through passageways, park bushes and brutalist landscape, Branko shadows his brother’s every step, haunted by his strange behavior. As the paranoia sets in, Branko realizes his brother isn't the strange one. He is.

“Slow cinema is difficult, but when done well it can be enchanting. Desire Lines is one of the enchanting ones.”
Square Eyes - CI-Y-RGB
Square Eyes - Screenshot 2025-08-19 at 11.11.43
Square Eyes - Copie de FNC_laurier LM_54_CompetitionOfficielle_EN
“Slow cinema is difficult, but when done well it can be enchanting. Desire Lines is one of the enchanting ones.”
Square Eyes - CI-Y-RGB
Square Eyes - Screenshot 2025-08-19 at 11.11.43
Square Eyes - Copie de FNC_laurier LM_54_CompetitionOfficielle_EN

Dane Komljen

Biography

Dane Komljen, born in 1986 in Banja Luka, SFR Yugoslavia. He studied cinema and art. His first feature, All the Citites of the North, premiered in 2016. Afterwater is his second feature. He works and lives in Berlin.

Filmography

Afterwater – 2022 – 93′
Phantasiesätze – 2017 – 17′
All the Cities of the North – 2016 – 100′
All Still Orbit – 2016 – 23′
Our Body – 2015 – 15′
A Surplus of Wind – 2014 – 25‘
Tiny Bird – 2013 – 30′
Bodily Function – 2011 – 40′
I Already Am Everything I Want To Have – 2010 – 35′

Square Eyes -

Crew

Director: Dane Komljen
Screenplay: Dane Komljen, Tanja Šljivar
Producer: Dart Film: Nataša Damnjanović, Vladimir Vidić
Co-producers: Mak Film: Dane Komljen
Marletti: Armin Hadžić
seriousFilm: Marc Thelosen
Pipser: Miljenka Čogelja
Flaneur Films: Zsuzsanna Kiràly
Line-producer: Dragana Jovović, Čarna Vučinić
Cinematography: Ivan Marković, Jenny Lou Ziegel
Editor: Marko Ferković
Sound Design: Jakov Munižaba
Sound Mixing: Tim Van Peppen
Music: Jakov Munižaba
Set design: Dragana Baćović, Ana Ivanišević
Costume design: Strahinja Tabaković
Hair & Makeup: Tina Jasenković

Cast: Ivan Čuić, Branka Katić, Petja Golec Horvat, Rok Juričić

Festivals

  • Locarno Film Festival, Switzerland (6 – 16 August, 2025)
    Concorso Internazionale
  • Sarajevo Film Festival, Bosnia and Herzegovina (15 – 22 August, 2025)
    Out of competition
  • Festival Du Nouveau Cinéma De Montréal, Canada (8 – 19 October, 2025)
    Les Nouveaux Alchimistes Competition
  • São Paulo International Film Festival, Brazil (16 – 30 October, 2025)
    International Perspective
  • SEMINCI – Valladolid International Film Festival, Spain (24 October – 1 November, 2025)
    Alchemies Official Section Competition
  • European Film Forum SCANORAMA, Lithuania (6 – 23 November, 2025)
    Wild Cards section

Password




Press materials

EPK: Click here

Stills, poster & directors photos: Click here

Dialogue list English: Click here

Embeddable trailer: Vimeo & Youtube  (coming soon)

Downloadable excerpts: Coming soon

SOCIAL MEDIA:
@desiring_line
@celuloidnimrav
@natasadam
@arminmarletti
@flaneur_films
@zsuzsanna_kiraly
@pipser.produkcija
@miljenka.cogelja

Press quotes

“Dane Komljen’s spectral and shape-lifting landscape of bodies and the paranoia of uncertain identity is a mesmerising, unsettling gem.”
“a poetic, unrushed but endlessly surprising vision, which operates according to a certain dream logic of echoing images rather than a traditional plot”
“This is not a film to understand in any conventional sense, but rather, to feel and experience.”
Review: Carmen Gray – The Film Verdict

“Slow cinema is difficult, but when done well it can be enchanting. Desire Lines is one of the enchanting ones. Whether the forest Branko walks though can enchant everybody is debatable, but those attuned to its unique tone and contemplative approach to cinema will find a surefire masterpiece in Komljen’s latest and strongest film. It is one to ponder and an invitation to be open to other people’s interpretation; a definitive explanation of its intent will never be reached, but that is not what Komljen’s cinema is about. The transcendence of Desire Lines is the key, defying the logic of our world.”
Review: Marc van de Klashorst – Internatonal Cinephile Society

“a subliminally perceptive work, inviting us to erase all divides. A key line muttered by one of the women seems to crack open the film: “Stories can enter you faster or slower”. How are stories born and transmitted?”
“The expansive generosity that lights it holds directions for us all.”
Review: Debanjan Dhar – High on Films

“Desire Lines might be his most accessible and accomplished to date, purely based on the strength of the imagery, the universality of its themes and the associative connections between its disparate, but oddly homogenous, parts”
“One could argue that Komljen borrows from Lynch, especially in tackling trauma, the uncertainty of identity and the unreliability of memory, or from Cronenberg in the purely visceral sense, but these themes and, especially, the tactility of the body have long been part of his oddly authentic cinematic language.”
Review: Vladan Petkovic – Cineuropa

“It is a continuous game—with psychological and social nuances—in which persistent questions are as much a part of the text as they are of the way in which the film’s certainties are built up and then destroyed.”
Review: Matheus José – VHS Cut

” Between magnetism and aridity, filmmaker Dane Komljen only half reaches out to his audience, but at least he is not afraid to take risks. Patience is rewarded here with fleeting but powerful visions where bodies, eras, and dimensions themselves seem to overlap in a mirage.”
Review: Gregory Coutaur – Le Polyester

Feature: Dane Komljen on His Freewheeling, Utopian ‘Desire Lines’ and ‘Slipping Into a Different Mold’ in the Locarno Main Competition Title – Variety
Interview: Dane Komljen • Director of Desire Lines – Cineuropa