“Bluish feels like a Generation Z cousin of Millennial mumblecore, the script stripped away so that we divine these young people’s moods as much by gesture and look as talk.”
“Bluish is less about plot development than the characters’ quotidian existence in the liminal space that exists between teenagedom and fully fledged adulthood.”
Review: Amber Wilkinson – Screen Daily
“Kraxner and Czernovsky are on their own wavelength, admiring how the subtleties of life make lasting impressions through attentive and matter-of-fact gestures.”
Review: Michael Granados – Film Fest Report
“The style and technique of evoking liminality, through which the film sticks to the insides of one’s brain, are undoubtedly effective.”
“A meditative, experimental sophomore film that is more of a trance-like cinematic concept than anything else.”
Review: Olivia Popp – Cineuropa
“With Bressonian minimalism and Akermanian intensity, Errol and Sasha’s loafing around becomes a sensible, sensitive and sensual exploration of both things and people, to which they bring a sort of truth.”
Giuseppe Di Salvatore – filmexplorer
“A journey through melancholy urban landscapes and the restlessness of youth.”
Review: Chris Jones – Overly Honest Reviews
“Kraxner and Czernovsky accommodate these varying sensitivities by resorting to different artistic forms and formats — performance, dance, VR film, songs, and even Google Earth imagery — that channel a wide range of sensory, social, and psychological experiences. While every frame and segment of the film feels meticulously structured and organized, one cannot fail to notice the inherent naturalistic aspect in them, expressed through a certain fascination of the camera with mundane, random things and events unfolding.”
Review: Öykü Sofuoğlu – In Review Online
“The film represents the vitality, but above all the vulnerability of the currently called adult youth and their precarious balance in life, using elements of daily life with a refreshing emotional sensitivity.”
Review: Mauro Lukasievicz – Caligari