“a defiantly hybrid piece that’s cunning, challenging and sometimes confusing, seemingly conceived to play out on the border between life and death itself”
“Both in its editing and visually, Anhell69 is often striking”
Review: Jonathan Holland – Screen Daily
“Despite the unimaginable darkness at the center of the film, Montoya’s deep compassion for his subjects shines through the fog of grief, giving the film a sense of affection that nearly presents itself as a shadow of hopefulness. The result is a gorgeous and undefinable portrait of a community steeped in magical realism.”
Festival review: Kari Paul – The Guardian
“a pulsating blast of queer punk”
Review: Boyd van Hoeij – The Film Verdict
“An alarming cri de coeur about how hard it is to be young and queer in Medellín”
Review: Davide Abbatescianni – Cineuropa
Gradually, this half-real, half-imaginative portrait of a lost generation imposes its own story and ultimately leads to a moving giddiness”
Review: Gregory Coutaut – Le Polyester
“a lyrical documentary about paternal nostalgia, haunted love and death in a conflicted Medellín, between icons of Jesus Christ and posters of Britney Spears.”
Review: Carolina Iacucci – CINEMATOGRAPHE
“A first work that succeeds, with great imaginative fluidity, in blending personal and collective memory.”
Review: Elisa Battistini – QUINLAN
“The highly political film Anhell69 finds its moments of greatest grace when it lingers (politically, poetically) with its young protagonists”
Review: Alessandro Izzi – CLOSE UP
“One of the little surprises of this Venice Critics’ Week, no doubt.”
Review: Riccardo Lo Re – TAXIDRIVERS
“An act of memory and a tribute to Colombian cinema, that is Anhell69”
Announcement: Erika Ardila – AL DIA